Adams makes objects that reflect and record the occurrence of an action. In so doing, she elaborates on a traditionally document-based conceptual art practice by producing objects which function as evidence of her actions. This exhibition will include notarized documents that describe employment positions that the artist proposes to undertake, and meticulously crafted clothing and sculptures made from the accumulation of the detritus of urban life. The notarized documents bear an official signed and sealed declaration of State Authority, and serve as an acknowledgement of the work's existence and an authentication of Adams' authorship. This legitimization is a bit of a ruse as her productivity as an artist is countered by the deliberate suppression of her own personality by role-playing (vampire, cannibal and beauty queen) for the creation of her art. Adams' work reflects the anomie of the digital age.